Ben Kingsley: More Than Just Pee-Soaked Mop-Fighting

By Erick Bieritz

Ben Kingsley has decided to become an actor again.

Kingsley’s most recent mention in this blog is here, which sadly may not even be his most demeaning film role. At the turn of the century, the Oscar-winning British knight had critical gravitas to spare for the range he demonstrated playing serious roles in big-ticket message movies like Gandhi and Schindler’s List as well as edgy indie films like Sexy Beast. Sure, he took occasional pay-the-bills supporting roles in the odd passable comedy (1993’s Dave) or pulpy sci-fi film (1995’s Species), but these didn’t significantly alter his image as an actor capable of incredible focus on weighty parts.

But in 2005 something went horribly wrong. Kingsley appeared in A Sound of Thunder and Bloodrayne, two films that were near-locks for worst-of-the-year lists. In separate years, they might not have looked so bad on his résumé, but Thunder’s delayed release made it an ugly one-two punch. Amnesia, insanity, or replacement by an evil doppelganger are among the few plausible explanations for Kingsley’s participation in these hideously unprofitable and critically embarrassing films.

That may be changing. The Wackness (out now), reportedly features Kingsley in an energized (and apparently energizing) role as a pot-smoking therapist connecting with a teenager. Transsiberian and Elegy (both later this year) feature him in a Sundance-screened mystery-on-a-train and a cultural critic in a Philip Roth story, respectively. All have the potential to be good solid impressive chances for Kingsley to, well, act.

One still needs to probably flat-out forgive him for The Love Guru and assume that John Cusack’s regime change parody War, Inc. and narration for the animated Noah’s Ark: The New Beginning are a wash. These are nonetheless encouraging signs that an unquestionably talented actor is coming back into his own in 2008.

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